http://book.klll.cc/ebooks/31880.opds 2025-08-22T09:40:17Z Physiology of the Opera by Scrici Free eBooks since 1971. Project Gutenberg https://book.klll.cc webmaster@gutenberg.org https://book.klll.cc/gutenberg/favicon.ico 25 1 2025-08-22T09:40:17Z Physiology of the Opera

This edition had all images removed.

Title: Physiology of the Opera

Contents: The opera in the abstract -- Of the tenore -- Of the primo basso -- Of the prima donna -- Of the barytone -- Of the suggeritore or prompter -- Before the curtain -- Of the opera in the concrete -- Après.

Credits: Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)

Summary: "Physiology of the Opera" by Scrici is a satirical exploration of the opera scene, written in the mid-19th century. This work delves into both the social and personal dynamics of opera performers, focusing on various character archetypes within the opera world, such as the tenor, prima donna, and basso, while offering a humorous critique of the individuals who frequent opera performances. Through its blend of observational humor and insightful commentary, the book presents a multifaceted view of opera, anchored in the theatrical extravagance of the time. The opening portion of the book introduces the themes and styles that Scrici will explore throughout. In the introduction, the author expresses a desire to provide an engaging reflection of opera life, emphasizing the social intrigue and personal quirks of its participants while maintaining a critical perspective of the established norms and attitudes surrounding the art form. Following this, the first chapter outlines the abstract concept of opera as being largely misunderstood by the public, and hints at the complexities and mysteries surrounding the lives of performers and the audience’s fascination with them. The specifics of various character types are touched upon, establishing a foundation for a deeper analysis of these operatic figures and allowing readers to anticipate a vibrant, if not chaotic, examination of the world of opera. (This is an automatically generated summary.)

Reading Level: Reading ease score: 47.7 (College-level). Difficult to read.

Author: Scrici, -1891

EBook No.: 31880

Published: Apr 4, 2010

Downloads: 247

Language: English

Subject: Opera -- Anecdotes

LoCC: Music: Literature of music

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:31880:2 2010-04-04T00:00:00+00:00 Public domain in the USA. Scrici en 1
2025-08-22T09:40:17Z Physiology of the Opera

This edition has images.

Title: Physiology of the Opera

Contents: The opera in the abstract -- Of the tenore -- Of the primo basso -- Of the prima donna -- Of the barytone -- Of the suggeritore or prompter -- Before the curtain -- Of the opera in the concrete -- Après.

Credits: Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)

Summary: "Physiology of the Opera" by Scrici is a satirical exploration of the opera scene, written in the mid-19th century. This work delves into both the social and personal dynamics of opera performers, focusing on various character archetypes within the opera world, such as the tenor, prima donna, and basso, while offering a humorous critique of the individuals who frequent opera performances. Through its blend of observational humor and insightful commentary, the book presents a multifaceted view of opera, anchored in the theatrical extravagance of the time. The opening portion of the book introduces the themes and styles that Scrici will explore throughout. In the introduction, the author expresses a desire to provide an engaging reflection of opera life, emphasizing the social intrigue and personal quirks of its participants while maintaining a critical perspective of the established norms and attitudes surrounding the art form. Following this, the first chapter outlines the abstract concept of opera as being largely misunderstood by the public, and hints at the complexities and mysteries surrounding the lives of performers and the audience’s fascination with them. The specifics of various character types are touched upon, establishing a foundation for a deeper analysis of these operatic figures and allowing readers to anticipate a vibrant, if not chaotic, examination of the world of opera. (This is an automatically generated summary.)

Reading Level: Reading ease score: 47.7 (College-level). Difficult to read.

Author: Scrici, -1891

EBook No.: 31880

Published: Apr 4, 2010

Downloads: 247

Language: English

Subject: Opera -- Anecdotes

LoCC: Music: Literature of music

Category: Text

Rights: Public domain in the USA.

urn:gutenberg:31880:3 2010-04-04T00:00:00+00:00 Public domain in the USA. Scrici en 1